The Eighteenth-Century French Cantata
Tunley, David
The Encyclopedists as Critics of Music
Oliver, Alfred Richard
The Fontainebleau Operas of Jean-Philippe Rameau: A Critical Study
Rice, Paul Francis
The French Cantata : A Survey and Thematic Catalog
Vollen, Gene E.
The French Classical Tradition in Opera as Seen through a Comparative Study of Lully's Amadis and Rameau's Hippolyte et Aricie
Seares, Margaret
The Harmonic Series from Mersenne to Rameau: A Historical Study of Circumstances Leading to Its Recognition and Application to Music
Green, Burdette Lamar
The haute-contre voice in the theatrical roles created and adapted for Pierre Jélyotte by Jean-Philippe Rameau
Gale, Timothy
The influence of rhetoric on Jean-Philippe Rameau's solo vocal cantatas and treatise of 1722
Sloan, Lucinda Heck
The institutionalization of music theory in France : 1764-1802
Gessele, Cynthia M.
The Interpretation of Early Music
Donington, Robert
The Interrelationships of Clavecin and Accompanying Instruments
Neher, Richard S.
The musical theories of Jean-Laurent de Béthizy and their relationship to those of Rameau and D'Alembert
Earhart, A. Louise Hall
The New Grove Dictionary of Music and Musicians edited by Stanley Sadie
Heartz, Daniel
Sadie, Stanley
Cohen, Albert, Girdlestone, Cuthbert, Cyr, Mary
The New Grove Dictionary of Opera Edited by Stanley Sadie
Sadler, Graham
