Texte et musique dans la tragédie lyrique : de la typologie à l'analyse, à travers trois extraits de Dardanus de Rameau
Legrand, Raphaëlle
The beginnings of the operatic romance : Rousseau, Sedaine, and Monsigny
Heartz, Daniel
The Bowed String Instruments of the Baroque Basso Continuo (ca. 1680-ca. 1752) in Italy and France
Brunett, Henry
The clarinet in the eighteenth century : Rameau and his contemporaries
Stern, Nina
The Concert Spirituel in the Tuileries palace
The conciliatory partisan of musical liberty : Jean Le Rond d'Alembert, 1717-1783
Isherwood, Robert M.
The Development of Rameau's Thoughts on Modulation and Chromatics
Verba, Esther Cynthia
The dramatic role of the chorus in French opera : Evidence for the use of gesture, 1670-1770
Cyr, Mary
The enigma of the Haute-Contre
Zaslaw, Neal
The Evolution of Rameau's Harmonic Theories
Ferris, Joan
The Fontainebleau operas of Jean-Philippe Rameau
Rice, Paul Francis
The foundaton of Taneev's mathematical concept inThe movable counterpoint of the strict style
Skourko, Evgenia
The French Opera-Ballet in the Early 18th Century: Problems of Definition and Classification
Anthony, James R.
The French Sources for Birger Jarl in Stockholm in 1774
Trotier, Rémy-Michel
The Marpurg-Sorge controversy
Bernard, Jonathan W.
The musical magic lantern
Charlemagne,
The Paris Opéra Chorus during the Time of Rameau
The Paris Opéra dancers in Rameau's day : a little-known inventory of 1738
Sadler, Graham
La Gorce, Jérôme de
The perfections of modern music : Consecutive fifths and tonal coherence in Monteverdi
Chew, Geoffrey
