Traetta in Vienna : Armida (1761) and Ifigenia in Taudide (1763)
Heartz, Daniel
Tradition und Neuerung in der Musiktheorie : Eine Kapitel zur Rameau-Kritik
Palm, Albert
Towards a Chronology of Rameau's Cantatas
Cyr, Mary
Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions
Meeus, Nicolas
Tommaso Traetta
Sadie, Stanley
Thétis
Dorival, Jérôme
Beaussant, Philippe
Théories françaises de l'harmonie et de la tonalité au XIXe siècle
The Theory of Harmony
Shirlaw, M.
The Science of Harmony : the Harmonic Generation of Chords
Shirlaw, Matthew
The Real Relationship between Kirnberger's and Rameau's "Concept of the Fundamental Bass"
Grant, Cecil Powell
The Principle and the Elements : Rameau's Controversy with D'Alembert
Bernard, Jonathan W.
The Portraits of Rameau : A Methodological Approach
Gétreau, Florence
The perfections of modern music : Consecutive fifths and tonal coherence in Monteverdi
Chew, Geoffrey
The Paris Opéra dancers in Rameau's day : a little-known inventory of 1738
Sadler, Graham
La Gorce, Jérôme de
The Paris Opéra Chorus during the Time of Rameau
The musical magic lantern
Charlemagne,
The Marpurg-Sorge controversy
The French Sources for Birger Jarl in Stockholm in 1774
Trotier, Rémy-Michel
The French Opera-Ballet in the Early 18th Century: Problems of Definition and Classification
Anthony, James R.
The foundaton of Taneev's mathematical concept inThe movable counterpoint of the strict style
Skourko, Evgenia
