anglais

The value of iconographical sources in musical research

Auteur(s):

SALMEN, Walter

Éditeur:

Oriel Press, Boston, Londres

[Recension] Otto Albrecht, A Census of Autograph Music Manuscripts of European Composers in American Libraries, 1953

Auteur(s):

WINTERNITZ, Emanuel

Éditeur:

American Musicological Society

Musical Myth and Galilean Science in Giovanni Serodine's Allegoria della Scienza

Auteur(s):

COELHO, Victor

Éditeur:

Kluwer Academic Publishers

Marco Jadra. A Venetian Virginal and Harpsichord Builder?

Auteur(s):

O'BRIEN, Grant

The iconography of two (or three) recorders. Recorder Symbolism in some 15th to 17th Century Paintings from Italy and the Low Countries. Part 1 : Held Recorders (Cossa and Titian)

Auteur(s):

ROWLAND-JONES, Anthony

Anglo-saxon interlace structure, rhetoric and musical troping

Auteur(s):

LE COAT, Gérard

Did people listen in the 18th century ?

Auteur(s):

WEBER, William

The horn in seventeenth and eighteenth century France : iconography related to performances and musical works

Auteur(s):

GÉTREAU, Florence

Éditeur:

Wissner-Verlag, Augsbourg

Buildings for Music. The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day

Auteur(s):

FORSYTH, Michael

Éditeur:

Cambridge University Press

Il canto fratto. L'altro gregoriano

Actes du congrès international d'études, à Parma-Arezzo, du 3 au 6 décembre 2003

Auteur(s):

GOZZI, Marco

LUISI, Francesco

Éditeur:

Torre d’Orfeo Editrice, Rome

Bibliotheque du laboratoire IReMus

anglais

The value of iconographical sources in musical research

[Recension] Otto Albrecht, A Census of Autograph Music Manuscripts of European Composers in American Libraries, 1953

Musical Myth and Galilean Science in Giovanni Serodine's Allegoria della Scienza

Marco Jadra. A Venetian Virginal and Harpsichord Builder?

The iconography of two (or three) recorders. Recorder Symbolism in some 15th to 17th Century Paintings from Italy and the Low Countries. Part 1 : Held Recorders (Cossa and Titian)

Anglo-saxon interlace structure, rhetoric and musical troping

Did people listen in the 18th century ?

The horn in seventeenth and eighteenth century France : iconography related to performances and musical works

Buildings for Music. The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day

Il canto fratto. L'altro gregoriano

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