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Research Center for Music Iconography CUNY, New York
Pictorial and literary Testimonies concerning European late-medieval dances in Slovania
Auteur(s):
KOKOLE, Metoda
Éditeur:
Research Center for Music Iconography CUNY, New York
Al Zulaiju : Music in the ceramic Tiles of Sao Vicente de Fora Monastery in Lisbon
Auteur(s):
ROCHA, Luzia
Éditeur:
Research Center for Music Iconography CUNY, New York
Joseph Weber's Diva, pinxit 1839 : Visusal, Musical, Societal Considerations
Auteur(s):
SLIM, Harry Colin
Éditeur:
Research Center for Music Iconography CUNY, New York
Vivat Nomen Tuum : A Motet from Gasparo Alberti's Portrait
Auteur(s):
TOWNE, Gary
Éditeur:
Research Center for Music Iconography CUNY, New York
Helene Fourment as St. Cecilia Playing the Virginals
Auteur(s):
LINDLEY, Mark
Éditeur:
Research Center for Music Iconography CUNY, New York
Utilizzazione mamieristico-decorativa di strumentari standardizzati nelle pitture chiesastiche tra XVII e XVIII secolo : quattro casi della provincia piacentina
Auteur(s):
GENESI, Mario Giuseppe
Éditeur:
Research Center for Music Iconography CUNY, New York
Rappresentazioni dei kymbala nella ceramica attica
Auteur(s):
CASTALDO, Daniela
Éditeur:
Research Center for Music Iconography CUNY, New York
Considerazioni su alcuni dipinti a carattere musicale delle collezioni torinesi
Auteur(s):
SANTARELLI, Cristina
Éditeur:
Research Center for Music Iconography CUNY, New York
[Recension] Reinhold HAMMERSTEIN, Schriften. Bd. I Musik, Text und Kontext; Bd. II: Musik und Bild, hg. von Gunther Morche und Thomas Schipperges, unter Miterbeit von Kara Kusan-Windweh (Tuntzing: Hans Schneider, 2000)
Auteur(s):
SALMEN, Walter
Éditeur:
Research Center for Music Iconography CUNY, New York
What Marsyas may have meant to the Cinquecento Venetians, or Andrea Schiavone's Symbolism of Musical Instruments
Auteur(s):
BLAZEKOVIC, Zdravko
Éditeur:
Research Center for Music Iconography CUNY, New York
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